![]() ![]() Some dubbed him " a wife guy," white others simply went with " OL HAPPY ASS." A concept album meant to structurally mimic the ebbs and flows of a wedding day, complete with toasts from rambling family members, The Big Day is not a dark night of the soul, particularly on jubilant tracks like "Eternal" and the Shawn Mendes-featuring "Ballin' Flossin'." Admittedly, he does sound pretty happy. Why it's great: Following the release of Chance the Rapper's The Big Day, his first "studio album" following the blockbuster solo mixtapes Acid Rap and Coloring Book, it wasn't terribly uncommon to see the nostalgia-loving, Arthur-referencing Chicago artist ridiculed online for what could be generously called an excess of positivity. Even if the slapdash quality to some of the songwriting, likely due to the lightning-quick manner the album was recorded and produced in, makes it less satisfying than Sweetener, the music on thank u next has a propulsive energy that distinguishes it within Grande's increasingly impressive catalog. Tracks like the skittering "bad idea" and the Rodgers and Hammerstein-interpolating "7 rings" perform similar pivots in perspective. A song like the opener "imagine," with its clicking percussion and soaring hook, elegantly moves between moments of intimacy and widescreen catharsis. ![]() Where her last record ping-ponged between sketch-like Pharell-produced jams and more polished tracks produced by hit-makers like Max Martin, thank u next sounds more sonically cohesive, prioritizing a confessional tone that puts the singer's powerhouse vocals front and center. Why it's great: For her follow-up to 2018's Sweetener, an album of ripped-from-the-tabloids romance and R&B-inflected pop experiments, Ariana Grande stays on the same stylistic pathway but appears to have stronger, more confident footing here. ![]()
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